Wednesday, January 9, 2019

Strani giorni - Strange Days

In nineteen fortyfive I came to this planet

Ascoltavo ieri sera un cantante uno dei tanti
E avevo gli occhi gonfi di stupore
  I've seen many things in this part of the world
Nel sentire: "il cielo azzurro appare
limpido e regale"
  Let me tell you something
(il cielo a volte, invece,
ha qualche cosa d'infernale)

Strani giorni viviamo strani giorni

Cantava:
  Life can be short or long
Sento un rumore di swing provenire
dal Neolitico
  It depends
Dall'Olocene
  Where you go at night
Sento il suono di un violino
  Alone and walking alone
  through the grey Sunday streets

E mi circondano l'alba
  Looking for someone
E il mattino
  The place was clean well lit
Chissà com'erano allora
  I went in and I said (I suppose I said)
Il Rio delle Amazzoni
  Whisky please
Ed Alessandria la grande
  The place was clean well lit
E le preghiere e l'amore?
  Two men in a corner were waiting
Chissà com'era il colore?
  I saw it from their hands

  You look at the hands
Not at the face
If you want to stay out of trouble


Mi lambivano suoni
che coprirono rabbie e vendette
Di uomini con clave
Ma anche battaglie e massacri di uomini civili
  Looking for someone
L'Uomo Neozoico
  Where you go at night
Dell'Era Quaternaria

Strani giorni viviamo strani giorni
  Strange days I lived through strange days

Nella voce di un cantante
Si rispecchia il sole
Ogni amata ogni amante

Strani giorni viviamo strani giorni

I've fallen into reverie
I dreamed a vague outline
The whisky flowed
Sending me into the past
Action roll the cameras
Here comes a lighting tour of my life
The two in the corner didn't say a word


Strani giorni © 1996 Franco Battiato & Manlio Sgalambro

"Strani giorni" combines two story lines, the one in English sung by Nicola Walker Smith.

In 1945 I came to this planet.

I listened last night to a singer, one of many,
and my eyes were filled with wonder
  I’ve seen many things in this part of the world
in hearing: “the blue sky appears
limpid and regal.”
  Let me tell you something
(The sky at times, instead,
has some hellish things.)

Strange days, we live strange days.

She sang:
  Life can be short or long
I hear a sound of swing hailing
from the Neolithic,
  It depends
from the Holocene,
  where you go at night
I hear the sound of a violin
  Alone and walking alone
  through the grey Sunday streets

and the dawn surrounds me,
  Looking for someone
and the morning.
  The place was clean and well lit
Who knows how they were then,
  I went in and I said (I suppose I said)
the Amazon River
  Whisky please
and the great Alexandria,
  The place was clean well lit
and the prayers and the love?
  Two men in a corner were waiting
Who knows what color was like?
  I saw it from their hands

You look at the hands,
not at the face,
if you want to stay out of trouble.

Sounds lapped me
that cover rages and vendettas
of men with clubs,
but also battles and massacres of civil men –
  Looking for someone
the Neozoic Man
  Where you go at night
of the Quaternary Age.

Strange days, we live strange days.
  Strange days, I lived through strange days.

In the voice of a singer
is reflected the sun,
every beloved, every lover.

Strange days, we live strange days.

I've fallen into reverie.
I dreamed a vague outline.
The whisky flowed,
sending me into the past.
Action, roll the cameras,
here comes a lighting tour of my life.
The two in the corner didn't say a word.

English translation © 2020 Dennis Criteser



L'imboscata (The Ambush) was released in 1996. It marked another change of direction for Battiato, returning to the world of rock and the electric guitar after his turn into classical music sonorities beginning in 1986. He also felt a desire to connect to a larger popular audience (the sales of his previous album were the lowest of all his pop albums going back to 1979; L'imboscata became the second best selling album of the year). The album cover is a painting by Antoine-Jean Gros - Napoleon at the Pyramids. Like the previous album, the lyrics were by the Sicilian philosopher Manlio Sgalambro, with Battiato's input on "Di passaggio" and "La cura." The album was dedicated to the writer Gesualdo Bufalino, a close friend of Battiato's.
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