Tuesday, August 6, 2019

Niente è come sembra - Nothing Is As It Seems

Rovinò lungo la china
solo chi ha un destino rovina
Non voglio che l'impuro ti colga
Ti darò a una rondine in volo
Niente è come sembra niente è come appare
Perché niente è reale

Ti darò a un ruscello
che scorre o alla terra piena di mimose
Qualcuno si ferma al tuo passare
Niente è come sembra niente è come appare
Perché niente è reale

I was in my car watching for the bend
I was looking for you

Dal balcone ammiravo il vuoto
che ogni tanto un passante riempiva...
È stato solo un presentimento
ti voglio ricordare che
Niente è come sembra niente è come appare
Perchè niente è reale

Niente è come sembra © 2007 Franco Battiato & Manlio Sgalambro

"Niente è come sembra" was inspired by a Buddhist concept that nothing has an inherent existence.

He hurtled along the slope –
only one who has a destiny hurtles.
I don’t want the impure to take hold of you.
I’ll give you to a swallow in flight.
Nothing is as it seems, nothing is as it appears,
because nothing is real.

I’ll give you to a brook
that runs to the land full of mimosas.
Someone stops as you pass by.
Nothing is as it seems, nothing is as it appears,
because nothing is real.

I was in my car watching for the bend,
I was looking for you.

From the balcony I admired the emptiness
that every now and then replenishes a passerby . . .
It was only a premonition,
I love to remind you that
nothing is as it seems, nothing is as it appears,
because nothing is real.

English translation © 2020 Dennis Criteser



Il vuoto was released in 2007. Battiato said of the album, "All of this disc talks essentially of emptiness. And for "emptiness" I don't mean only that as it relates to thoughts or considerations of a philosophical order, but precisely the problems and circumstances that each one of us is obligated to live every day." And of course there's the flip side of this negative emptiness: the emptiness one can reach through meditation which then allows the realization of new possibilities. The lyrics are again a collaboration between Battiato and the Sicilian philosopher Manlio Sgalambro.
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